Oh how things have changed thank goodness.
What was the idea of a folk tune in 1946? Well here is a list of things to play in a 1946 session (no, they didn't really exist then AFAIK).
- Ash Grove
- The Bailiff's Daughter of Islington
- Billy Boy
- Charlie is my darling
- Cockles and Mussels
- Early one morning
- God Save the Queen. (As a folk tune !?!)
- Greensleeves (must crop up in every folk collection)
- The Harp that once thro'Tara's Halls
- Lass of Richmond Hill
- My Love's an Arbutus (a plant as far as I can tell!)
- On Ilkley Moor bah't 'at
- O Shenandoah
- Robin Adair
- Star-spangled Banner
- Swing Low Sweet Chariot
- When Johnny Comes marching home
- Ye Mariners of England.
It is a characteristic of this time that American, often Civil War tunes were mixed quite casually with the Irish, Welsh, Scottish and English ballads of the day. Folk was a different world which transcended national boundaries but somehow still got lumped together. I still can't believe that some of them were 'classified' as folk.
Just a taster from Books 2 and 3:
Amongst quite respectable tunes such as Keel Row and the Lincolnshire Poacher are Rule Britannia, Yankee Doodle, Go Down Moses and Jeannie with the light brown hair. I think it's stretching it a bit to put those down as 'Folk'.
I'm glad things have changed but it does make you wonder if folk should be classified and categorised and pigeon-holed at all. Maybe someone will look back on the last 40 years and exclaim 'What were they thinking!".
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